So when I listen to music, it's basically always looking for stuff to associate with a particular fandom/ship/fic, though I do just casually listen to the radio while driving a lot. Being from Tennessee, I get sort of upset when people write off country as a whole. However, I will admit that a lot of it is pandering, dumb, and regressive. However, I kind of fell in love with this stupid, saccharine song when I first heard it. I'm not sure if it was an accidental spotify find or if it was something I heard in a local business only to relocate later. I rarely discover country music intentionally, but sometimes it's good!
Anyway, listening to the song without the video, it has always occurred to me that while I like it just fine for M/F angst that it could be a fantastic WLW-cover song that deals with a whole new layer of complication. The fantasies of cultural and social conformity that one is brought up to have and may enjoy versus things that break with those traditions, the question of whether or not you can ever fully participate in those social constructs even when they are (reluctantly) handed over to you, and so on.
So basically I just wanted to mention that, but in looking up the video, I also find it charming. It isn't the image that I had in mind, and I really appreciate that the girl they chose is a beautiful mixed race young lady. In my head, it being a country music song, I was, you know, envisioning that the guy singing was talking about some little elfish white girl with blonde ringlets (not that there's anything wrong with that). I'm really encouraged to see country music including even this much diversity in what seems to be something this mainstream. Also, as a teacher, I find the interaction between the teens in this video (whether they're actual teens or not) really authentically acted. It's better than I anticipated.
Anyway, listening to the song without the video, it has always occurred to me that while I like it just fine for M/F angst that it could be a fantastic WLW-cover song that deals with a whole new layer of complication. The fantasies of cultural and social conformity that one is brought up to have and may enjoy versus things that break with those traditions, the question of whether or not you can ever fully participate in those social constructs even when they are (reluctantly) handed over to you, and so on.
So basically I just wanted to mention that, but in looking up the video, I also find it charming. It isn't the image that I had in mind, and I really appreciate that the girl they chose is a beautiful mixed race young lady. In my head, it being a country music song, I was, you know, envisioning that the guy singing was talking about some little elfish white girl with blonde ringlets (not that there's anything wrong with that). I'm really encouraged to see country music including even this much diversity in what seems to be something this mainstream. Also, as a teacher, I find the interaction between the teens in this video (whether they're actual teens or not) really authentically acted. It's better than I anticipated.
no subject
Date: 2018-12-07 02:41 pm (UTC)From:A female cover I really enjoy isn't, strictly speaking a female cover: the track itself is the original. But a few years ago, Azora Telford did a video for Gotye's Somebody I Used To Know in which she interpreted the song in ASL, and her love-object was also female. It's here: https://www.youtube.com/watch?v=hUt4W8sE8Ns&feature=youtu.be
no subject
Date: 2018-12-09 03:44 am (UTC)From:I think that video is really neat! I find ASL so interesting, and I wish that it was something we taught the basics of to kids. I don't know any, but I feel like I could've picked up on it as a child so easily, as with other things I wish about American language education.
no subject
Date: 2018-12-10 02:45 pm (UTC)From:Oh yeah, I've seen my fair share of that. It's not as if the southern US doesn't have more than its fair share of racists, but there's an unattractive tendency particularly among the well-heeled urbanites to pin it all on 'the South' in a way that neatly elides a) the valuable parts of Southern cultures, and b) their own complicity in the same power structures.